{"id":3781,"date":"2026-02-19T04:50:26","date_gmt":"2026-02-19T04:50:26","guid":{"rendered":"https:\/\/sraddhasala.or.id\/?p=3781"},"modified":"2026-07-11T04:52:58","modified_gmt":"2026-07-11T04:52:58","slug":"subhakastawa-gubahan-nyanyian-yang-megah","status":"publish","type":"post","link":"https:\/\/sraddhasala.or.id\/?p=3781","title":{"rendered":"\u015aubhak\u0101stawa: Gubahan Nyanyian yang Megah"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>Lepas maghrib, di sepuluh hari terakhir ruwah, Mindha kembali ke Lokananta untuk #nyadran mengenang dan mendiskusi kekaryaan para pendahulu seniman di balik salah satu karya terarsip berjudul Subakastawa Rin\u0115ngga. Karya ini adalah karya gubahan Ki Narto Sabdo, yang menjadi mata rantai penting dalam karya gubahan karawitan Jawa.<\/p>\n<p>Kali ini, pemantik sesi dengan Lokananta bloc adalah Mas Kukuh, ia seorang Cantrik Sraddha yang sedang melanjutkan studi S2 Ilmu Susastra di Universitas Gadjah Mada. Dalam tinjauan arsip dan manuskrip, ia menjelaskan secara kronologis kehadiran gendhing Subakastawa, Gubahan, penggunaan, hingga potret kondisi sosial masyarakat, saat data-data ini hadir.<\/p>\n<p>Seru dan menyenangkan! Kawan-kawan pernah dengan Gendhing Subakastawa Rinengga? Coba dalami liriknya? Apakah kawan-kawan mengenal beberapa makanan pokok dari lirik tersebut?<br \/>\n#ayosinaumaneh<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Lepas maghrib, di sepuluh hari terakhir ruwah, Mindha kembali ke Lokananta untuk #nyadran mengenang dan mendiskusi kekaryaan para pendahulu seniman di balik salah satu karya terarsip berjudul Subakastawa Rin\u0115ngga. Karya ini adalah karya gubahan Ki Narto Sabdo, yang menjadi mata rantai penting dalam karya gubahan karawitan Jawa. Kali ini, pemantik sesi dengan Lokananta bloc &hellip; <a href=\"https:\/\/sraddhasala.or.id\/?p=3781\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;\u015aubhak\u0101stawa: Gubahan Nyanyian yang Megah&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":3783,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-3781","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kegiatan"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/sraddhasala.or.id\/index.php?rest_route=\/wp\/v2\/posts\/3781","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sraddhasala.or.id\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sraddhasala.or.id\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sraddhasala.or.id\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sraddhasala.or.id\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3781"}],"version-history":[{"count":1,"href":"https:\/\/sraddhasala.or.id\/index.php?rest_route=\/wp\/v2\/posts\/3781\/revisions"}],"predecessor-version":[{"id":3782,"href":"https:\/\/sraddhasala.or.id\/index.php?rest_route=\/wp\/v2\/posts\/3781\/revisions\/3782"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sraddhasala.or.id\/index.php?rest_route=\/wp\/v2\/media\/3783"}],"wp:attachment":[{"href":"https:\/\/sraddhasala.or.id\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3781"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sraddhasala.or.id\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3781"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sraddhasala.or.id\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3781"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}